Postby HydroPnik » 31 Aug 2008, 06:35
I must say that I'm very impressed with this amp now. I had a small gig last weekend and I brought the Fender instead of the Marshall and it sounded great. I recently got it back from being worked over at Savage Audio (Savage Guitar Amps) and they redid a bunch of soldier joining and put in two new speakers - a Jensen P12R Alnico and a Jensen C12N Celestion. I am surprised at the breakup on this thing - very subtle, and every note sings through in that chimey Fender clean tone. That ugly-assed amp sounds great!
Last band practice I ran both the Fender and Vintage Modern (on low dynamic). I had forgotten that my Furman pedal board could split the signal to two amps so I put my Boss tuner in the loop, then ran a feed to each of the amps. Between the pedal board and the VM is a Keeley modded TS9 tubescreamer and between the board and the Fender are all of my other effects. I boosted the volume on the TS9 and it runs dirty all of the time except for songs that need cleans - essentially it's my dry rig. The Fender runs wet. We have a gig this coming Saturday and were asked to play Los Lonely Boys, Crazy Dream. I got everything dialed in and started the into and just about shat myself when I heard the tone that I was getting. We had the CD playing over the PA to learn the changeovers and our drummer, who was sitting across the room in direct line of my rigs, made the comment that my tone was exactly like Henry Garza's. I must say that I was amazed at the tone of the two amps running concurrently - it is, without a doubt, that gritty, chimey, 3 dimensional Texas blues tone that I love so freaking much. 8)
Marshall Vintage Modern 2466
Marshall 1960TV