Postby Spotted Dog » 31 Oct 2009, 08:19
Ghostrider wrote:So are those amps just blues Fenderish type amps, or do they make a good hard rock tone also. We have a dealer in Las Vegas but I never looked into them.
Seems their spin on "classic" designs has attracted many rabid customers. Fender, Marshall, VOX and other boutique builder influences are represented in their products, but they all reflect the design philosophy of "The Dr.", Mike Zaite.
http://www.drzamps.com/generalamps.htm
http://www.drzamps.com/zamps_GB_2008.pdf
If you check out the Z forum,
http://drzamplifiers.proboards.com/index.cgi? you'll soon see their fanaticism.
I would definitely check out your local dealer. The closest one to me is almost 2 hours away and have just not found the time to make the journey, heck I could almost get to Vegas in the same time and turn it into a vacation (maybe even find some girls in bikinis modeling guitars
).
Since I am a Dr. Z neophyte I'll offer this from the Dr.'s site about the Galaxie:
The Galaxie is a channel switching (via footswitch) amp that combines classic tweed clean tones and smooth modern drive sounds. The clean channel nails the sweet swirling sound of classic tweed amps that have become the foundation of electric guitar tone. The drive channel is the result of Dr Z’s 20 years of design experience. You’ll find it has excellent sustain and a rich open sound with plenty of gain on tap for today’s needs.
The output transformer is made by the venerable Triad company and is to the original spec found in classic tweed amps like the Super, Pro, and low powered Twin. Great care was taken to accurately reproduce this transformer. Dr Z is very excited to use the Triad transformer in this design.
And a review:
" This is the first time I have ever heard truly Fender style cleans from a Dr Z amplifier. In attempting to solve the age old Fender problem of a flabby low end at volume, most amp designers tend to remove some of their amplifiers low mids. This tightens up the amp, but unfortunately also tends to create a more sterile tone without the bubbly percussiveness that is part of what makes the original Fenders so much fun to play and so sweet sounding. The clean channel of the Galaxie has no such compromises. You get all the reedy, sweet, percussiveness and shimmery clean of a Classic Fender *and* a tight, focused low end. The second channel is a major revelation for anyone who has desired a refined and smooth yet properly aggressive British style gain tone from a Dr Z amplifier and have either found his previous offerings not quite gainy enough or a bit too hard/revealing in the upper midrange. The gain channel of the Galaxie offers simply awesome gain tones that sing and sustain for days with the perfect amount of mid content to sit nicely in a mix, a rock-n-roll style aggression in the top end without a trace of harshness or buzz and a low end wallop that you can feel in your chest with every low note played."
Joe, Jimi, Stevie, Derek, Carlos, Jimmy, Warren, Buddy, Dickie, Eric, Lonnie, Robin, Duane, Luther, David, Tommy, Walter
335, LPs, Strats, Teles, Myra -->> 2266, 425A, JTM1, JMP1H, JCM1H, Lone Star Special, Super Reverb, Dr Z Galaxie & Carmen Ghia, MG 15, Li'l Dawg Tweed Deluxe Clone
TS-808, Blues Driver; Lovepedal, Amp 50, MXR 78 BadAss, Les Lius, Java Boost, Fuzz Head, MXR 10 EQ, Deja Vibe, Cry Baby, Trinity Reverb, Alter Ego Delay, Rat, Big Muff, MK Boost