dont know if anyone has heard about this but gary moore recently told a british guitar magazine in an interview, that he has a signature coming out but hes not sure what he want yet.
he then goes on to say it will most likely be a 1959HW with a half power Switch, Tube Buffered FX Loop and a real spring reverb.
id be interested as long as it didnt have his name plastered all over it. but it sounds like it could be REALLY good.
Gary Moore Signature 1959HW
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A handwired 100 watt 1959 is a amp every player should own sometime in their life when they can afford one, they are great amps. I suspect that amp to come in at 3k though. I can tell you I am loving my new Metro handwired 100 watt 69 Plexi clone.
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'When I Don't Have Anything Interesting to Play, I just Play Fast' But then who wants to hear 64 bars full of 32nd-notes except the douche-bag blowing them from the stage.
Surf's Jukebox
'When I Don't Have Anything Interesting to Play, I just Play Fast' But then who wants to hear 64 bars full of 32nd-notes except the douche-bag blowing them from the stage.
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The EL34s have more growl and roar, but the KT66s a have that Vintage tone every player should have. IMO you need two amps, my 2466 obviously has the KT66s but both my Plexi and DSL pack EL34s. All three of those amps are very different sounding.how would you describe the difference between EL34's and KT66's
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Surf's Jukebox
'When I Don't Have Anything Interesting to Play, I just Play Fast' But then who wants to hear 64 bars full of 32nd-notes except the douche-bag blowing them from the stage.
Surf's Jukebox
'When I Don't Have Anything Interesting to Play, I just Play Fast' But then who wants to hear 64 bars full of 32nd-notes except the douche-bag blowing them from the stage.
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I personally think they are. For me, EL-34s have that spitfire crunch, while KT-66s sound like "rolling thunder" (not my description, but i think it does job).
Surf is right on the money. It is sweet to have both in your arsenal. Each have their place in rock, but one can do something better then the other. IMHO, the VM is perfect for everything except 80's metal. I seem to be able to get a more accurate tone with my TSL.
Surf is right on the money. It is sweet to have both in your arsenal. Each have their place in rock, but one can do something better then the other. IMHO, the VM is perfect for everything except 80's metal. I seem to be able to get a more accurate tone with my TSL.
Marshall Class 5
Marshall Vintage Modern 2266C
Granger M50
Avatar 2x12 w/ Hellatone 60s
Cox Tweed Twin
Gibson Les Paul Custom w/ Skatterbrane Goldbranes
Tele Partscaster - USACG '54 Neck, 50's RI Body, Lollars
Fender '56 NOS Stratocaster
Guitar -> TC Polytune -> Fulltone Clyde Deluxe -> TS-808 -> Suhr Koko Boost -> Way Huge Aqua Puss -> Lovepedal Echo Baby -> Amp
Marshall Vintage Modern 2266C
Granger M50
Avatar 2x12 w/ Hellatone 60s
Cox Tweed Twin
Gibson Les Paul Custom w/ Skatterbrane Goldbranes
Tele Partscaster - USACG '54 Neck, 50's RI Body, Lollars
Fender '56 NOS Stratocaster
Guitar -> TC Polytune -> Fulltone Clyde Deluxe -> TS-808 -> Suhr Koko Boost -> Way Huge Aqua Puss -> Lovepedal Echo Baby -> Amp
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When this amp is coming?
Does it only come in the 100 watt with a half power switch?
I remember steve said gary m liked the 100 watter VM except for the reverb....
i agree on this with him so i am very curious how a real spring reverb sounds like with this
new marshall.....
Does it only come in the 100 watt with a half power switch?
I remember steve said gary m liked the 100 watter VM except for the reverb....
i agree on this with him so i am very curious how a real spring reverb sounds like with this
new marshall.....
epiphone les paul standard 1959 limited edition .
epiphone BB King Lucille
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boss e-band JS-8 ( 32 GB for backing tracks)
beyer dynamic DT 880 Pro headphones.
epiphone BB King Lucille
Orange Crush 35 RT
boss e-band JS-8 ( 32 GB for backing tracks)
beyer dynamic DT 880 Pro headphones.
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