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Sorry, I haven't tried any of those amps. The only Mesa I've ever been really interested in was the Mark V.GuitarGuy10 wrote:Thanks Don! I am n longer much of a VH fan so I may have skipped it, but it sounds great!
Have you checked out any of the Boogies like the Electra Dyne or Royal Atlantic? How about the Fryette SigX? Comparisons?
A friend of mine said I would be best gestting a single channel hand made 50 watter and some OD pedals.....
Oh, I thought you found the Marshall better than the 101b? I have played both but for the money, the Marshall wins hands down. I also think a BFG amplification modded Dual Rec is one of the top 5 amps on the planet!donnyboiler wrote:I love Bogners too. The 101b is my desert island amp.
No, there's no HJS cab. It was designed around the ordinary 1960a with 75s. You can get it in blue tolex to go with the blue head though.
My favourite speaker combination with this amp is 75s mixed with Greenbacks, so I imagine any of those speakers you mentioned would sound great. It's just seasoning really.
Luckily, you will never hear me play jazz, or funk, or country. LOL! I tend to like simple however. With a good and responsive single channel amp, you should be able to cover the same ground as any channel switcher! I grew up on 2 and 3 channel amps but lately I have been enjoying what you can do with a single channel amp and pedals! For example, I could cover any gig with a Marshall VM, Mesa Electra Dyne or Port City Brit 50 but with less hassle and tweaking!donnyboiler wrote:I prefer the HJS for Marshall tones. The 101b is my desert island amp, i.e if I emigrated or something and needed an amp that I could use in any situation, it's the one I'd choose. It might not be number one in every discipline but it produces professional results in every genre, as well as having two or three things that no other amp does better.
I prefer the EVH 5150 III as a day-to-day channel switcher but you never know when you're gonna get that gig that the 5153 can't cover. With the 101b you're safe. The HJS, same deal - for any type of rock, straight pop or blues gig it's gonna give you a whole range of high class authentic tones, but start throwing in some jazz, or funk, or country, and suddenly you're using an amp that sounds adequate at best. I'm not slating the HJS clean channel, it's just not designed that way. It doesn't compress or break up in the right way for many of those musical styles that exist on the edge of breakup. The 101b clean channel (and the 5153 clean channel for that matter) might not be the absolute best Fender clone in the business but it'll always get you home, you know?
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