I posted two clips on youtube to demonstrate my Ceriatone 2555.
I tested it against a Silver Jubilee 50 watt head from 1987, and I thought the Ceriatone sounded better!!
But the overall sound was almost the same as the Marshall.
My Ceriatone sounded a bit thicker, and the Marshall Silver Jubilee had a bit more bite.
Here are the links to Youtube
[youtube][/youtube]
[youtube][/youtube]
Marshalls:JVM410H,6100,JCM800 2210, JMP1,9100,3xJCM800 cabs; 2 loaded with v30's and Weber beamblockers, one with G12H30's.
Guitars:Gibson Les Paul Classic Premium Plus, 1979 Fender Strat Hardtail, Ibanez RG7321 and RG321, Peavey Vandenberg, Charvel Fusion Custom.
FX: Roland GP100, FC200, Boss GX700
'When I Don't Have Anything Interesting to Play, I just Play Fast' But then who wants to hear 64 bars full of 32nd-notes except the douche-bag blowing them from the stage.
Hi ! I think i'm going to buy that amp, but i'm not very sure... i saw the video and it sounded very nice ! But is it nice quality ? Is it sturdy ? Is it worth it ?
Thanks !
'08 Gibson Les Paul Studio
'11 Gibson Les Paul Tribute 50 Humbucker (Goldtop)
'10 Fender Stratocaster American Standard
'10 Lâg Roxane 2000 (w/ Seymour Duncan APH1)
The complete head runs for 860 USD, i think it's a good price, but i don't know...
'08 Gibson Les Paul Studio
'11 Gibson Les Paul Tribute 50 Humbucker (Goldtop)
'10 Fender Stratocaster American Standard
'10 Lâg Roxane 2000 (w/ Seymour Duncan APH1)
When first hearing the clip it immediately reminded me of the tone I get out of my 1980(?) JMP 2203 master volume lead(precursor to JCM800-same guts with more of a plexi look). I don't know much about the silvers other than I have a 1960B Silver cab. Good for heavier stuff, and you paid a nice price for that tone. Keep rockin'......
I had a jubilee combo
[ which i traded in when i thought i'd never play live again
..............got married , ha ! ]
the ceriatone does seem to sound good , considering itbut
i wish they'd make a silver face for it a little more like the
chrome original
The Ceriatone uses better parts and much more reliable construction. Mainly, the original has the pots and input jacks soldered directly to the circuit board which is a point of high failure.
Gibson R8 - Gibson Explorer - Gibson R7 Goldtop
Marshall 2466 - Marshall JMD1 - Marshall 1987
No one wants to hear 64 bars full of 32nd-notes except the douche-bag blowing them from the stage.