Moderator: longfxukxnhair
That works great, but not for a Hard Rock Player whos allready in High Dynamic.Mr_Martin wrote:My Settings:
EQ Section: all set on 5
Body: 6
Detail: 7
I play Rhythm (nice crunch) on the Low Dynamic Range and for Solos i kick in the High Dynamic Range (fat leads with perfect Volume boost), that's it.
Too Simple?
Greets
MKB wrote:I've been using a SHO lately with very good success. Set it up like this: turn on the SHO with a good boost (knob on about 10 o'clock), and set LDR for just a tiny bit of breakup. You can then use combinations of LDR and HDR with and without the boost, and get everything from excellent cleans to strong overdrive.
I also tried a Boss SD-1, which is normally a good overdrive for 4 input Marshalls. It didn't work as well into HDR. HDR seems to like a cleaner boost.
http://zvex.com/hardon.htmlMr_Martin wrote:MKB wrote:I've been using a SHO lately with very good success. Set it up like this: turn on the SHO with a good boost (knob on about 10 o'clock), and set LDR for just a tiny bit of breakup. You can then use combinations of LDR and HDR with and without the boost, and get everything from excellent cleans to strong overdrive.
I also tried a Boss SD-1, which is normally a good overdrive for 4 input Marshalls. It didn't work as well into HDR. HDR seems to like a cleaner boost.
Sorry, what is a SHO?
Greets
Just curious - what is the actual db boost/cut of each frequency?johnbee wrote:in my opinion was really simple. I used a Boss GE-7 last in the effects loop after all other pedals in the loop. Put the EQ in a frowny face and add just a touch of level increase on the GE-7. Solos cut through great w/o huge volume change. It's the mids that make the difference not the volume when you need to cut through. I think this worked better than a volume pedal or volume cut pedal since I felt cutting the volume for rhythm work made the rhythm a little thin. I just run the amp full out and step on my GE-7 and viola !!
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