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Okay I just played out last night with the VM for the first time. You guys really know your stuff, because unlike my 800, 6100, and JVM, the VM loop is different for sure. I kept bumping up the EQ level (for each solo as a test) and it did not change the overall volume (only slightly). In fact, driving that last tube harder (after the loop) may have dinked with the tone in a bad way actually.Doug_MVM wrote:Keep it simple. I run a Boss EQ pedal, and I stick my Boss Delay right next to the EQ (both in the loop). I leave the EQ flat, and just bump the EQ level control up a touch. For the lead, I simply bang both pedals down at the same time, and I get the boost, with the delay for ambience. You can also use each pedal separately of course for a dry kicker, or the delay without the kicker. The cool thing is, you can use the same pedal board config with all your amps (if they have a loop). I have noticed different effect loops will require a slight tweak on the delay and EQ levels, but it's no big deal, as it's all right in front of you at the gig. (To make the adjustment on the fly) In terms of maybe some added gain during the boost, I consider that a plus, as I like a little more gain during the lead break. I know it's all subjective, but that's my take. Very nice discussion for sure. Thanks for reading.
1.st off, when using the footswitchable attenuator for solo boost, you cannot have a lot of attenuation. Because the difference in volume will be to big.Doug_MVM wrote: ...Can anyone with the Weber attenuator + foot switch please provide opinions on the tone in attenuation mode? I would also like to understand how the foot switch option works. Do they hard wire the cable, or is it a jack so you can get the right length to your board? If anyone has a picture of the foot switch, I would appreciate checking it out...
I just did some additional experimentation on volume boosts with the VM. If you can use the LDR and get enough gain from that setting (for rhythm), you can use the HDR for a lead boost. I also found the more gain you achieve using LDR with a OD pedal, the less difference in volume boost you will notice when switching to the HDR. So the key is to get enough gain using LDR for rhythm (using a OD pedal potentially), while still allowing enough head room to get a nice boost for leads using HDR.Doug_MVM wrote:Okay I just played out last night with the VM for the first time. You guys really know your stuff, because unlike my 800, 6100, and JVM, the VM loop is different for sure. I kept bumping up the EQ level (for each solo as a test) and it did not change the overall volume (only slightly). In fact, driving that last tube harder (after the loop) may have dinked with the tone in a bad way actually.Doug_MVM wrote:Keep it simple. I run a Boss EQ pedal, and I stick my Boss Delay right next to the EQ (both in the loop). I leave the EQ flat, and just bump the EQ level control up a touch. For the lead, I simply bang both pedals down at the same time, and I get the boost, with the delay for ambience. You can also use each pedal separately of course for a dry kicker, or the delay without the kicker. The cool thing is, you can use the same pedal board config with all your amps (if they have a loop). I have noticed different effect loops will require a slight tweak on the delay and EQ levels, but it's no big deal, as it's all right in front of you at the gig. (To make the adjustment on the fly) In terms of maybe some added gain during the boost, I consider that a plus, as I like a little more gain during the lead break. I know it's all subjective, but that's my take. Very nice discussion for sure. Thanks for reading.
Can anyone with the Weber attenuator + foot switch please provide opinions on the tone in attenuation mode? I would also like to understand how the foot switch option works. Do they hard wire the cable, or is it a jack so you can get the right length to your board? If anyone has a picture of the foot switch, I would appreciate checking it out.
Thanks, and this whole group is very helpful.
Doug
Any inside pics or schematic of how your tech did it? Also, is it reverseable?macsmith wrote:Hello
In my 2466 i have installed a second Master Volume.
I dont use the internal reverb. If i need a reverb, i will run a good one through the effects loop.
So i don't need the reverb control and i don't need the footswitch for the reverb.
My amp-tech changed the reverb pot for a second master and made it switchable by the reverb-footswitch.
Very easy for an amp-tech, no holes in the chassis, works perfect.
I payed 100 € for the mod in Germany. Thats the same you have to pay for a pedal, but it works an sounds perfect.
But be carefull! If you do this, the amp is out of warranty.
Best regards
Michael
I would love to do this mod!macsmith wrote:Hello
In my 2466 i have installed a second Master Volume.
I dont use the internal reverb. If i need a reverb, i will run a good one through the effects loop.
So i don't need the reverb control and i don't need the footswitch for the reverb.
My amp-tech changed the reverb pot for a second master and made it switchable by the reverb-footswitch.
Very easy for an amp-tech, no holes in the chassis, works perfect.
I payed 100 € for the mod in Germany. Thats the same you have to pay for a pedal, but it works an sounds perfect.
But be carefull! If you do this, the amp is out of warranty.
Best regards
Michael
Okay I just played out last night with the VM for the first time. You guys really know your stuff, because unlike my 800, 6100, and JVM, the VM loop is different for sure.[/quote]ironlung40 wrote:
maxrossell wrote:Hey guys, new poster here.
I've had my VM2266 for a while now, and pretty much the only issue I have with it is that it doesn't have any kind of straight volume boost. I have it set to use LDR for cleans (although it's not really a clean, just less dirty) and HDR for the big rhythm/riff sound, but I'm trying to figure out what would be the best solution to get a good volume spike for soloing. I'm running the gains far too hot to consider boosting the front end, so I'm assuming that my only option is to use the FX loop, so what do you think:
- Use a clean boost pedal in the FX loop (I have a Toadworks Meat Jr. that I like, but I have yet to try it with the 2266)
- Have a volume cut like the EHX signal pad on in the FX loop most of the time and then switch it off when I want to solo (I've heard this thins out the tone, not so keen, plus it'll suck batteries)
- Use an EQ pedal in the FX loop, turn up the midrange and crank the output a bit on that
- 4th solution I haven't thought of
Any advice greatly appreciated.
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