Postby Slashwannabe1 » 23 Nov 2010, 12:38
Personally think theres a little too much pre amp distortion going on and not enough power amp distortion to be authentic to the appetite tone, but it certianly has some of the dyanamics.
Gotta say "Out Ta Get Me" was the best display of the Appetite tone on these clips. Again if there was slightly less pre amp and more power amp distortion, I'd say it be pretty damn close. I think the AFD100s Appetite tone is actually pretty good in some clips, the song choices and production videos hurt it...and also I believe Marshall would have access to software or hardware that can analyze the original recordings as they did to get the true tone...so regardless of weather the settings sucked on the videos I think they probably have nailed the tone. This is what I'm hoping at least! lol But as stated before the #34 tone is EPIC! no matter what recording technique has been used.
And we all have to remember too...not every GNR song would have had the same Amplifier settings! Theres also been rumors that by the time he got his Les Paul copy and AFD amp the rhythm work had already been recorded on a regular JCM 800 with a Firebird guitar!!! So honestly if that is true why would he be using Nightrains rhythm as a refference? Could it be that maybe not all of the rhythm work for the songs had been recorded? we may never know, so to be safe we need to hear more Lead Work out of the AFD 100!. I'll make a point if and when I get famous to take note of everything used on every song just incase somebody finds a tone I have as iconic lol.
To me Sweet Child needed a little less distortion than in that clip and he should have kept his guitar rhythm pick up tone knob back up during the leads because it lost some of the juicyness. Not all guitars will sound the same rolled all the way down with the tone control...Slash may need to roll his all the way down to get that tone but the rest of us may only need to roll down to 5 or 6 on the tone control to get a similar tone. Slash also uses a wah during the solo at 3:35 seconds of Sweet Child and may keep it cocked slightly through the songs solos as well...if you listen closely you can hear the slight wah, then in the break down of the solo the wah use slaps you in the face. Seen him play in Italy on youtube with the wah that way and it was pretty damn close to the ambiance on the record.
Yeah and Sweet Child needs some reverb! probably the only song besides November Rain that really requires some reverb to get that ambiance and feeling of the solos along with Don't Cry.
Amplifiers: Marshall 2555x 100watt Silver Jubilee Full Stack with matching 2551AV & 2551BV 8x12 70 watt Vintage 30 speakers.
Marshall 2466 100watt Vintage Modern w/ Matching 425A cab
1966 Fender Bandmaster
Effects: MXR:M234 Analog Chorus, Phase90, Slash Octave Fuzz, Slash SC95 Wah. BOSS: RV-3 & DD3 Reverb & Delay, GE-7 EQ,NS-2 Noise Suppressor, CS-3 Compression Sustainer
Guitars: 6 Les Pauls with Seymour Duncan Alnico 2 Pro Pickups.